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Paradoxist Distiches

By Smarandache, Florentin

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Book Id: WPLBN0002828520
Format Type: PDF (eBook)
File Size: 751.54 kb
Reproduction Date: 8/6/2013

Title: Paradoxist Distiches  
Author: Smarandache, Florentin
Volume:
Language: English
Subject: Fiction, Drama and Literature, Paradoxism
Collections: Poetry, Cosmology, Ontology, Parapsychology, Trigonometry, Military Technology, Geometry, Public Economics, Mathematical Statistics, Surgery, Probability Theory, Military Science, Authors Community, Philosophy, Fine Arts, Business Strategy, Physics, Psychology, Geography, Math, Statistics, Finance, Bibliography, Chemistry, Commerce, Cultural Studies, Most Popular Books in China, Periodicals: Journal and Magazine Collection (Historic and Rare), Religion, Education, Economy, Medicine, Literature, Sociology, Naval Science, Government, Law, Language, Social Sciences, Science, History
Historic
Publication Date:
2013
Publisher: World Public Library
Member Page: Florentin Smarandache

Citation

APA MLA Chicago

Smarandache, F. (2013). Paradoxist Distiches. Retrieved from http://members.worldlibrary.net/


Description
The whole paradoxist distich should be as a geometric unitary parabola, hyperbola, ellipse at the borders between art, philosophy, rebus, and mathematics – which exist in complementariness. The School of Paradoxist Literature, which evolved around 1980s, continues through these bi-verses closed in a new lyric exact formula, but with an opening to essence. For this kind of procedural poems one can elaborate mathematical algorithms and implement them in a computer: but, it is preferable a machine with … soul!

Summary
The PARADOXIST DISTICH consists of two verses, antithetic to each other, but which together amalgamate in a whole defining (or making connection with) the title.

Excerpt
I M M O D E S T With the shame Shamelessness U N D E C I D E D Fighting Himself J A Z Z ( I ) Melodious Anarchy J A Z Z ( I I ) Anarchic Melody

Table of Contents
Fore/word and Back/word _________ 3 The making of the distich : _____ 3 Characteristics: ______________ 3 Historical considerations: _____ 5 Types of Paradoxist distiches ___ 8 1. Clichés paraphrased: ___ 8 2. Parodies: _____________ 8 3. Reversed formulae: ____ 8 4. Double negation _______ 8 5. Double affirmation, ____ 8 6. Turn around on false tracks: _________________ 8 7. Hyperboles (exaggerated): __________________ 8 8. With nuance changeable from the title: ________ 8 9. Epigrammatic: ________ 8 10. Pseudo-paradoxes: ___ 8 11. Tautologies: ________ 9 12. Redundant: _________ 9 13. Based on pleonasms: _ 9 14. or on anti-pleonasms: 9 15. Substitution of the attribute in collocations ___ 9 16. Substitution of the complement in collocations 9 17. Permutation of various parts of the whole: ___ 9 18. The negation of the clichés ______________ 10 19. Antonymization (substantively, adjectively, etc.) ________________ 10 20. Fable against the grain: _________________ 10 21. Change in grammatical category (preserving substitutions’ homonymy): ________________ 10 22. Epistolary or colloquia style: ____________ 10 23. Puzzles ___________ 11 24. Metaphors: ________ 11 25. Philosophical: _____ 11 26. Distiches – translations: _________________ 11 27. Pure scientific definitions _______________ 11 29. Distiches of dual verses: ________________ 11 30. Paradoxist poems-collage: _______________ 11 31. Semi-collage poems: 11 32. The majority of distiches can be generalized: 11 33. Snapped (entrapped) in creationist formulae: 11 34. Pairs of dual distiches: __________________ 12 35. Double paradox: ___ 12 36. Double semi-paradox: __________________ 12 37. Novel of paradoxist distiches (concatenated): 13 601 Paradoxist Distiches _____ 16 PERPETUUM MOBILE _________________ 16 SOLUTION _________ 16 ATHEIST ___________ 16 EQUATION _________ 16 BAD LUCK _________ 16 TEMPORAL ________ 16 TAXATION _________ 16 SUCKER ___________ 16 LAW OF COMPENSATION ______________ 17 INCERTITUDE ______ 17 INTRUDER _________ 17 SPREE _____________ 17 NOSTALGIA ________ 17 EUPHORIA _________ 17 METAPHYSICS _____ 17 SLUGGARD ________ 17 PASSION ___________ 18 ILLUSION __________ 18 BREAKING UP ______ 18 INSOLENCE ________ 18 INDOCTRINATED ___ 18 PERVERSE _________ 18 EMOTION __________ 18 INHIBITED _________ 18 BULLET ___________ 19 MIHAI _____________ 19 SUFFERING OF FLU _ 19 NON-IDENTITY _____ 19 NEUROSIS _________ 19 GUEST _____________ 19 ALGORITHM _______ 19 FEVER _____________ 19 DIAGNOSIS ________ 20 MEDICAL ASSISTANCE ________________ 20 OBITUARY _________ 20 CATHARSIS ________ 20 SYN-LOGISMOS ____ 20 UTOPIA ____________ 20 DIVORCEE _________ 20 EPIPHANY _________ 20 SELF PORTRAIT ____ 21 DEMAGOGUE ______ 21 FATHERHOOD ______ 21 SENTENCED _______ 21 LOSER _____________ 21 SURGERY __________ 21 ROUNDING ________ 21 PATRIOTIC LABOR _ 21 VOLENS NOLENS __ 22 VIRGIN MARY _____ 22 PROSTITUTE _______ 22 UNSOLVABLE ______ 22 AMBITIOUS ________ 22 FAR EAST _________ 22 ANTARCTICA ______ 22 THE EQUATOR (I) __ 22 THE EQUATOR (II) __ 23 DINNER ____________ 23 ARTESIAN WELL ___ 23 MARRIAGE ________ 23 MATCH THEORY ___ 23 OFFENDER _________ 23 STRUGGLE _________ 23 SMALL TALK _______ 23 COINCIDENCE ______ 24 REVENGE __________ 24 PREVENTION _______ 24 JAIL _______________ 24 SHREWD (I) ________ 24 SHREWD (II) ________ 24 PRESCRIPTION _____ 24 FOG _______________ 24 TROUBLE __________ 25 IDEAL _____________ 25 IDIOT ______________ 25 AT ORDERLY HOUR 25 PERFIDY ___________ 25 PHARISEE __________ 25 MONEY LENDER ___ 25 PROTOZOAN _______ 25 TABOO ____________ 26 DEMOCRACY ______ 26 DEFIANCE _________ 26 DIZZINESS _________ 26 ALMS ______________ 26 BUDDHISM ________ 26 DRONE ____________ 26 POVERTY __________ 26 WITTY _____________ 27 ELF ________________ 27 JOKER _____________ 27 MASQUERADE _____ 27 CAUTIOUS _________ 27 BE PRUDENT _______ 27 SPECIFIC DIFFERENCE _________________ 27 MASTER AND APPRENTICE _____________ 27 STUDIES ___________ 28 THE SLOTHFUL _____ 28 THE ARGUMENT ___ 28 PARAPSYCHOLOGY 28 NAIL ON NAIL ______ 28 VIGILANCE ________ 28 ORDER ____________ 28 PATOMIME ________ 28 CUCKOO CLOCK (I) _ 29 CUCKOO CLOCK (II) 29 AMERICAN IMMIGRANTS ______________ 29 APHORISM _________ 29 DISGUST ___________ 29 CLASSIC ___________ 29 HEROISM __________ 29 BAGATELLE _______ 29 PRODUCER ________ 30 INTRODUCTION ____ 30 LITERARY REVIEW: 30 PUBLICITY _________ 30 MILITARY STRATEGY _________________ 30 TRANSCENDENT ___ 30 ORDINARILY _______ 30 MEETING __________ 30 GEOPHYSICIST _____ 31 CONTENTS _________ 31 FORECAST _________ 31 COMPLEMENTARY _ 31 COHABITATION ____ 31 VIGOR _____________ 31 THE ARTIST ________ 31 DIRECTION ________ 31 MASOCHISM _______ 32 HIS DAUGTER WAS SO BEAUTIFUL… ___ 32 ENDEARMENT _____ 32 BITTER ____________ 32 SUGAR SYRUP _____ 32 FICTION ___________ 32 NONCONFORMIST __ 32 VINDICTIVE ________ 32 CONFUSION ________ 33 THE PUDDLE _______ 33 ATTEMPT __________ 33 DEAR MASTER _____ 33 EDUCATION _______ 33 QUESTER __________ 33 CHAOS ____________ 33 BLAH-BLAH- BLAH _ 33 BARBARIANS ______ 34 GOSSIPER __________ 34 ABYSS _____________ 34 MYOPIA ___________ 34 COMATOSE ________ 34 QUOTIDIAN (I) _____ 34 QUOTIDIAN (II) ____ 34 SELF-CENSORSHIP __ 34 WHERE ____________ 35 BIG LIE ____________ 35 APPEARANCES _____ 35 EXCESS ____________ 35 DESPAIR ___________ 35 ANALYTIC _________ 35 BACOVIAN _________ 35 UNINVITED GUEST _ 35 NAUGHTY _________ 36 ESSENCE __________ 36 IN HARD TIMES ____ 36 HARDLY ___________ 36 CONTRADICTORY __ 36 PHYLOSOPHY ______ 36 PARSIFAL __________ 36 HEGELIAN _________ 36 CAUSE AND EFFECT 37 PROBABILITY ______ 37 COWARDS _________ 37 VAINGLORIOUSES __ 37 ROMAN TRIUMVIRATE _________________ 37 ABSURDITY ________ 37 RETRO FASHION ___ 37 NUNS ______________ 37 RECOURSE _________ 38 SCATTER-BRAINED _ 38 SILENCE ___________ 38 IMPOTENCE ________ 38 SHADOW __________ 38 ECLIPSE ___________ 38 NEGLECTABLE QUANTITIES ____________ 38 WAR ______________ 38 VERSE _____________ 39 KANT ______________ 39 MANNEQUIN _______ 39 INCONCLUSIVE ____ 39 BREEZE ____________ 39 STORM ____________ 39 DIALECTICS _______ 39 NERD ______________ 39 THEOLOGY ________ 40 PORTRAIT _________ 40 STUPID ____________ 40 THE DEVIL _________ 40 TAUTOLOGY _______ 40 INSPIRATION _______ 40 GEMS ______________ 40 SCAPEGOAT _______ 40 FUTUROLOGY ______ 41 RETROGRADE ______ 41 REMEDY ___________ 41 CONFUSION ________ 41 RESEARCH _________ 41 TRAGICOMEDY (I) __ 41 TRAGICOMEDY (II) _ 41 CERTIFICATE ______ 41 MARATHON ________ 42 THE RAILWAY STATION _______________ 42 HISTORY __________ 42 SLOUCHY __________ 42 PARENTALLY ______ 42 ROLL CALL ________ 42 OBNUBILATION ____ 42 ECHO ______________ 42 THE PARADOXISM __ 43 IN CONCLUSION ____ 43 SO AND SO _________ 43 LOVE ______________ 43 THE INCONSOLABLE LAW (I) ___________ 43 THE INCONSOLABLE LAW (II) __________ 43 MIRACLE __________ 43 BI-SEXUAL _________ 43 PEDANT ___________ 44 METROPOLIS _______ 44 WORTHLESS _______ 44 VICE-PRESIDENT ___ 44 BETRAYER _________ 44 OVERACHIEVER ____ 44 QUALITY __________ 44 COWARD __________ 44 THE “TITANIC” SHIP 45 INTERNET _________ 45 GAME WITH ZERO SUM ________________ 45 BOMB _____________ 45 THE APPROXIMATION THEORY _________ 45 LAZY ______________ 45 UNCERTAINTY _____ 45 PUNISHMENT ______ 45 BIASED SENTENCE _ 46 FALSE WITNESSES __ 46 RANDOM __________ 46 POETS ! ____________ 46 ALTERNANCE ______ 46 YARN BUNDLE _____ 46 SURPRISE __________ 46 STRIKING __________ 46 INCOGNITO ________ 47 OPPOSITION _______ 47 NOVELTY __________ 47 FASHION __________ 47 CONSTRUCTION ____ 47 ABYSS _____________ 47 EX_________________ 47 SO POVERTY-STRICKEN ________________ 47 APOCALYPSE ______ 48 ETERNITY _________ 48 EPHEMERALLY _____ 48 TO SOMEONE WHO LIKES MEETINGS ___ 48 TO THE ABSOLUTENESS _______________ 48 GRECO-ROMAN WRESTLING ___________ 48 WHITE _____________ 48 INCONCLUSIVE ____ 48 DON JUAN _________ 49 THE ORDER IS TO BE EXECUTED ________ 49 DARWINISM _______ 49 WINGS _____________ 49 SHABBY ___________ 49 RETROGRADE ______ 49 CONNECTION ______ 49 POSTMODERNISM __ 49 SELF-DISTRUCTION _ 50 ABSENT-MINDED / INATTENTIVE _______ 50 BACKWARDNESS ___ 50 THE CHAOS THEORY __________________ 50 HALF-SCHOLAR CHRONICLER __________ 50 IDEAL _____________ 50 IN HUNGER STRIKE _ 50 INFERIORITY COMPLEX ________________ 50 DUMP _____________ 51 MULATTO _________ 51 GYPSY _____________ 51 TOMATOES ________ 51 A LIFE _____________ 51 REVIEW ___________ 51 REPUGNANT _______ 51 SERAPHIC _________ 51 BACKWARDNESS ___ 52 WINDBAG _________ 52 THE ARROGANT ONES _________________ 52 PERFIDIOUS POLITICIANS ______________ 52 IMMODEST ________ 52 UNDECIDED _______ 52 JAZZ (I) ____________ 52 JAZZ (II) ___________ 52 JAZZ (III) ___________ 53 DISTURBANCE _____ 53 AFTER COSMETIC SURGERY ___________ 53 OBITUARY _________ 53 PLAGIARIST _______ 53 THE BUS CONDUCTRESS _______________ 53 THE PASSENGERS __ 53 PUG DOG __________ 53 MAYOR ____________ 54 RIVALRY __________ 54 ARRANGEMENT ____ 54 COUNCIL __________ 54 PRUDENCE _________ 54 EXOTIC ____________ 54 SMATTERS _________ 54 CONFLICT _________ 54 RELATIVITY (I) _____ 55 RELATIVITY (II) ____ 55 RELATIVITY (III) ___ 55 RELATIVITY (IV) ___ 55 WEED _____________ 55 HISTORIOGRAPHY __ 55 BIBLIOGRAPHY ____ 55 HERMENEUTIC _____ 55 EXEGESES _________ 56 ENDEAVOR ________ 56 ABSENT-MINDED ___ 56 AUDACIOUS _______ 56 NON-REMEDY ______ 56 FANTASIST ________ 56 INFAMY ___________ 56 FLIGHT ____________ 56 STATUES __________ 57 MUSEUM (I) ________ 57 MUSEUM (II) _______ 57 WOODEN TONGUE __ 57 PAGAN ____________ 57 SCAPEGOAT _______ 57 BUMPTIOUS ________ 57 MODEST ___________ 57 GODFATHER TO GODFATHER __________ 58 OFFICIAL __________ 58 GENIALITY ________ 58 DIVERSIFIED _______ 58 YOU, ______________ 58 REGENERATION ____ 58 AGEING ___________ 58 THEATRUM MUNDI _ 58 PEACE _____________ 59 HISTORY __________ 59 WILY ______________ 59 FAILURE (I) ________ 59 FAILURE ( I I ) ______ 59 FAILURE (III) _______ 59 DAWN _____________ 59 LIBRARY __________ 59 HOMER (I)__________ 60 HOMER (II) _________ 60 TIMING ____________ 60 HYPHEN ___________ 60 IMPRUDENT _______ 60 HAZARDOUS _______ 60 CONSERVATISM ____ 60 SAINT _____________ 60 CHALLENGER ______ 61 COMPETITOR ______ 61 THEE-ING __________ 61 ILL WILL ___________ 61 FIERCE DOG _______ 61 LAZY ______________ 61 THE CHILDREN _____ 61 IN BALANCE _______ 61 STROKE ___________ 62 DESTINE ___________ 62 PASSIVE ___________ 62 COPIED ____________ 62 SINE QUA NON ______ 62 THE STUDENT (I) ___ 62 THE STUDENT (II) ___ 62 VERY WELL-KNOWN __________________ 62 ENTROPY __________ 63 BRIDE _____________ 63 WRECK ____________ 63 INDIFFERENCE _____ 63 CURSE _____________ 63 EXHIBITIONIST _____ 63 ABYSS _____________ 63 PROXIMITY ________ 63 EXTREME FAR AWAY __________________ 64 SO FRIGHTENING ___ 64 BEGGARY _________ 64 WOMANIZER _______ 64 HONESTY __________ 64 CUNNING __________ 64 EFFICIENCY ________ 64 VILLAINESS ________ 64 PRUDENCE _________ 65 MEDIOCRE _________ 65 ROGUE ____________ 65 UNDER THE QUESTION MARK ( I ) _______ 65 UNDER THE QUESTION MARK (II) _______ 65 GENERALIST _______ 65 BOOMERANG ______ 65 WITHOUT CHANCES 65 LIBERTINISM ______ 66 REJOINDER ________ 66 MAO TSE-TUNG ____ 66 SATRAPY __________ 66 EXERCISES ________ 66 PLEBEIANS ________ 66 PARLIAMENT ______ 66 PUBLICITY _________ 66 SLEEPING DURING THE NEW YEAR’S NIGHT ________________ 67 DILETTANTE _______ 67 PASSIONATE _______ 67 DICTATORSHIP _____ 67 GROTESQUE _______ 67 BUREAUCRATIZE ___ 67 ESTIMATION _______ 67 REJECTED _________ 67 CINDER ____________ 68 THE MOLE _________ 68 GLOVES ___________ 68 PRIMITIVISM _______ 68 THAUMAZEIN ______ 68 WINE ______________ 68 WITH MINI SKIRT ___ 68 BLUFF _____________ 68 DECANTING _______ 69 HORIZONT _________ 69 SPIRAL (I) __________ 69 SPIRAL (II) _________ 69 INCONSISTENT _____ 69 LONGING __________ 69 SYNCOPATE _______ 69 TALENT ___________ 69 ACTOR ____________ 70 AMNESIA __________ 70 PULLEY ___________ 70 DOTTED LINE ______ 70 ORDINATION _______ 70 UNADJUSTED ______ 70 REBEL _____________ 70 AVANT-GARDE _____ 70 DECADENT ________ 71 SHELL-FISH ________ 71 DANTE ____________ 71 TALKATIVE ________ 71 AMEBA (I)__________ 71 AMEBA (II) _________ 71 MICRO-COSMOS ____ 71 THE ABROGATION LAW ________________ 71 INDOLENT _________ 72 IN DECLINE ________ 72 DON”T ABUSE ______ 72 IMPEDIMENT _______ 72 CYCLICAL _________ 72 THE CANOPY OF HAVEN _______________ 72 WITHOUT MEASURE 72 NOTHINGNESS _____ 72 GO AWAY FROM HERE! ________________ 73 FIRE _______________ 73 SHORTSIGHTED ____ 73 FORCE _____________ 73 NIRVANA __________ 73 DUPLICITY _________ 73 GUARDING THE HOMELAND ___________ 73 PROSAISM _________ 73 CHILDISH __________ 74 PROFLIGATE _______ 74 ANCHORITE ________ 74 INDIFFERENCE _____ 74 LETHARGY ________ 74 PRAYER ___________ 74 ABJECTION ________ 74 COINCIDENCE ______ 74 UNLUCKY _________ 75 GUILTY ____________ 75 MADAM ___________ 75 ERRATIC FELLOW __ 75 UNDER WATCH ____ 75 BOLD ______________ 75 EXPLORER _________ 75 HYPOCRITE ________ 75 ENEMY ____________ 76 PERFIDIOUS ________ 76 ALCOHOLIC ________ 76 OH, GOD! __________ 76 SORROWFUL _______ 76 CUR _______________ 76 AT THE BUTTONHOLE _________________ 76 DUALITY __________ 76 FUTILITY __________ 77 DEAF ______________ 77 ZODIAC ____________ 77 RITUAL ____________ 77 AXIOMATIC ________ 77 REINCARNATION ___ 77 CURSE _____________ 77 DOUBLE NEGATION 77 DOUBTFULNESS ____ 78 SELF-EXPOSURE ____ 78 OCEAN ____________ 78 TOTALITARIANISM _ 78 BOYCOTT __________ 78 IRRESOLUTE _______ 78 ASPIRATION _______ 78 DIAMONDS ________ 78 ONTOLOGY ________ 79 SELF-BRAZING _____ 79 MORPHOLOGICAL __ 79 SIMILITUDE ________ 79 NEBULOUS ________ 79 RESPONSE _________ 79 SPIES ______________ 79 CAPRICIOUS _______ 79 GOODS TRAIN ______ 80 ST. GEORGE KILLING THE DRAGON _____ 80 LAME _____________ 80 COWARDICE _______ 80 PARSIMONY _______ 80 CEREBELLUM ______ 80 WITH HALF MEASURE _________________ 80 PERFUNCTORY _____ 80 HUBBUB ___________ 81 COLUMNED ________ 81 RAGAMUFFIN ______ 81 PERSONALITY ______ 81 RIVAL _____________ 81 INSIGNIFICANT _____ 81 „ ≤ ” _______________ 81 AMNESIA __________ 81 WISE ______________ 82 AMENDMENT ______ 82 ORDINARY _________ 82 MISERY ____________ 82 ANALOGY _________ 82 DISCORDANT ______ 82 ROMANCE (I) _______ 82 ROMANCE (II) ______ 82 DISOBEDIENT ______ 83 AMENABLE ________ 83 SLY _______________ 83 MOTORCYCLE _____ 83 PARVENU __________ 83 OF BROKEN HEART _ 83 DAILY JOURNAL ___ 83 FORMULA _________ 83 TELLURIC _________ 84 COMMON __________ 84 ATOM _____________ 84 HORROR MOVIE ____ 84 ASCENDANCY ______ 84 ENIGMA ___________ 84 LIGAMENTS ________ 84 BANALITY _________ 84 SURREALIST _______ 85 FAINT WITH HUNGER __________________ 85 MONDRIAN ________ 85 INFORMERS ________ 85 TELESCOPE ________ 85 FORGED ___________ 85 BANKRUPTCY ______ 85 MISHAP ____________ 85 CAPRICE ___________ 86 ANIMOSITY ________ 86 DEVIL _____________ 86 DOZINESS _________ 86 WINDBAG _________ 86 POETRY ___________ 86 OPPONENT _________ 86 WORTHLESS _______ 86 IT MEANS THAT YOU DON’T DO WHAT HE WANTS __________ 87 PACIFIST __________ 87 NIHILIST ___________ 87 TRANSFORMATION _ 87 VICIOUS CIRCLE ___ 87 DRAWBACK _______ 87 NEGLECT __________ 87 HOPE ______________ 87 SKILLFUL __________ 88 THE CONOPY OF HAVEN (II) ____________ 88 BOOK WITH PHOTOS __________________ 88 CONJECTURE ______ 88 NEGATIVE PUBLICITY _________________ 88 SHORT- SIGHTED ___ 88 TREATY ___________ 88 ABYSS (II) __________ 88 CANONIZATION ____ 89 DEMENT ___________ 89 NON-EUCLIDIAN GEOMETRY __________ 89 TO AN AROGANT ___ 89 IN BENUMBING ____ 89 MASTER ___________ 89 HUSBAND AND WIFE __________________ 89 CROOK ____________ 89 ANARCHY _________ 90 GORDIAN KNOT _______________________ 90 RELATED __________ 90 INNOCENT _________ 90 RUMOR ____________ 90 MATTED WINDOW __ 90 JET PLANE _________ 90 SOCIALIST COMPETITION ______________ 90 EUPHORIA (II) ______ 91 THE LAWS OF PARADOXISM1 __________________ 92 References _________________ 94 Exercises for Readers and Invitations for Writers ______ 96 CON/TENTS _______________ 97


 

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